October 07, 2024
James is honored to be featured in the September 2024 issue of Western Art Collector. The article, "Dynamic Visual Experience," explores Ayers' latest work, highlighting his distinct style of merging traditional oil painting with abstract techniques like spray paint and crayon. This feature showcases his ability to capture the essence of interconnectedness in his vibrant, layered compositions.
You can read the full article [here] or visit Western Art Collector’s website [here] to learn more.
October 07, 2024
In the September 2024 issue of American Art Collector, James Ayers is featured for his solo show, Intersect. This article explores his deep dive into the intersection between nature and human activity, showcasing 10 new landscape paintings that blend traditional oil painting techniques with abstract elements like spray paint and crayon. Ayers' unique approach reflects the many layers of life, offering viewers a contemporary yet timeless experience.
You can view the full article [here] or visit American Art Collector [here] to explore more.
December 08, 2023
In the December 2022 issue of American Art Collector, James Ayers reflects on the pivotal shift in his work during the Covid-19 pandemic. Inspired by the playful creativity of his children, he began incorporating crayon and spray paint into his landscapes, blending these unconventional materials with traditional oil paint. The article, "The Importance of Play," highlights how this experimentation has brought new energy to his work, exploring the layers—both literal and figurative—that define his unique artistic journey.
You can read the full article [here] or visit American Art Collector [here] to explore more.
November 02, 2023
Installation success! This commissioned work was installed today. The Sonoran Glow Triptych, featuring Desert Dreams, Twinkle Lights and Distant Splendor.
December 01, 2022
In December 2022, American Art Collector featured me in their Artist Focus section, highlighting my evolving body of work. This article explores my transition from painting Indigenous cultures to my current focus on landscapes, cityscapes, and portraiture, as well as the techniques that bring texture, energy, and movement to my paintings.
I often combine thick impasto oils with palette knives, brayer rollers, crayon, and graphite, using techniques like sgraffito, scumbling, and splattering to add depth. But at the heart of it, my work is about balancing planning with spontaneous creativity—a process that keeps each piece alive with energy.
I’m honored to have my work featured in American Art Collector!
Read the full article on American Art Collector [here].